For over 30 years we've been the ground team international productions trust in Panama — handling crew, permits, compliance and logistics so your team arrives ready to shoot, not ready to problem-solve.
CBS · NBC · MTV · Netflix · Discovery · MrBeast
What We Do
We're the executive arm of your production in Panama. The same crew that scouts your location clears your permits, files your rebate and wraps your shoot — so your creative and production team stay focused on the work, not the paperwork.

Selected Work
Network television, global digital creators, multilateral institutions and commercial agencies. Each project handled end-to-end from the ground in Panama.
MrBeast
Digital · International
Digital · International Creator
MrBeast Production
Amazing Race
USA (x3) · Canada · Australia · Finland
Reality Television · Network
CBS's The Amazing Race — USA (x3) · Canada · Australia · Finland
Today Show
Broadcast · Network
NBC's Today Show — Where in the World is Matt Lauer?
The Challenge
Reality Television · Network
MTV's The Challenge
ARP
Series · Streaming
Netflix's ARP
Discovery
Survive the Raft
Reality Television · Network
Discovery's Survive the Raft

Institutional · Multilateral
OAS — 56th General Assembly, Panama 2026
IMAX
A Land Divided, A World United
IMAX Feature · Panama Canal
A Land Divided, A World United
The Complete Reel
Available Upon Request
Full Reference List
The complete reel is available upon request.
From The Set
On location across Panama — tap any frame to enlarge.
















How We Work
We're the executive arm of your production — we carry the operation, compliance and liability so your creative team can stay on the creative. The same team that scouts your location clears your permits and crews your shoot; that continuity is why international productions come back.
Full crew, equipment and location management for international productions. We source talent, handle logistics and keep shoots on schedule from first scout to final wrap.
Permits, talent coordination, transport and on-ground support. We navigate local infrastructure so nothing surprises your team on day one.
Legal setup, insurance, customs and regulatory clearance for foreign productions. We protect your project — and your studio's liability — before the first frame rolls.
of the Americas
Direct flights to 90 cities across the Americas — 17 in the US — plus several in Europe. Your crew lands and works day one.
Cash rebate
Film Law 16: cash back on $500K+ in-country spend, plus customs exemptions and single-window permits. We provide the CPA and legal counsel to file it.
Locations
Beaches, deserted islands, mountains, tropical jungle, raging rivers and waterfalls, barracks, former military bases and a modern, cosmopolitan capital with all its barrios and urban niches. Panama's versatility has been proven widely — and it's compact: Caribbean to Pacific in a little over an hour (82 km).

Turquoise water and deserted islands — Bocas del Toro, the Pearl Islands, Pedasí. The look reality and campaign shoots keep coming back for.

A modern skyline with distinct neighborhoods that stand in for metros across the Americas — glass towers to gritty backstreets.

Tropical jungle, mountains, raging rivers and waterfalls — dense wilderness that sits minutes from a five-star base.

The Panama Canal and working deep-water ports — industrial scale and maritime access found in almost no other single country.

The UNESCO old town — cobblestone streets, Spanish-colonial façades and centuries of texture in a few walkable blocks.

Hub of the Americas — direct flights to 90 cities across the Americas (17 in the US) and several in Europe, plus single-window customs. Crew and gear land and work day one.
Weather
Panama's privileged position keeps it away from most tropical weather — mainly hurricanes. Its weather oscillates between dry and wet… very wet (that's why they call it the rain-forest). Live conditions across our primary filming regions:
Filming days per year
Tropical climate with minimal weather disruption — consistent natural light year-round.
Panama time now —
Live data · Open-Meteo

Film Law 16 · Panama
A 25% cash rebate on qualifying in-country spend, 0% duty on imported equipment and single-window permitting — structured and filed by a licensed local partner so the incentive actually reaches your budget.
25% of your Panama spend, back in cash.
Panama's Film Law 16 (2012) grants international productions a 25% cash rebate on qualifying in-country expenditure — alongside customs exemptions and single-window permitting. Verite Producciones is a licensed local partner registered with the Ministries of Culture and Commerce; we structure the spend and file the claim so the incentive actually lands.
What qualifies
Key details

Resources
Short field notes on producing in Panama — the 25% cash rebate and the law behind it, the permit and customs timeline, budgets, and where to point the camera. Written by the team that files the paperwork and runs the days.
Legal & Incentives
The 25% Cash Rebate, Explained
Film Law 16 in plain English: who qualifies, what spend counts, how the money comes back, and what Verite files so it reaches your budget.
Field Guide
The International Producer's Guide to Panama
Geography, weather and the shooting calendar, locations coast to coast, and the crew depth behind 30 years of international productions.
Wouldn't you rather just talk it thru? Reach out to Ricky Barria at rbarria@veriteproducciones.net.

Legal & Incentives
Panama pays back 25% of what an international production spends inside the country, in cash, under Film Law 16 of 2023. It covers qualifying local spend, it has a $25M cap per project, and Verite files the compliance paperwork so you don't have to learn the statute to claim it.
Foreign and local productions that register through the film commission and route a minimum qualifying spend through Panamanian vendors, crew and services. We open the incentive file at the start of prep, not at wrap — that's how the claim stays clean.
Local crew, equipment rental, hotels, ground transport, locations and post finished in-country. Anything invoiced by a Panamanian vendor and paid through the production's local accounts is on the table; foreign per-diems and gear you fly in on a carnet are not. We tag every line as qualifying or not from the first budget draft so the number you model is the number you claim.
Register the project, shoot, close the books, pass the audit, get paid. Be clear-eyed about the timing: the payout can take up to 36 months after the audit closes, so we treat the 25% as recovery you plan around rather than cash in hand on wrap day. On a real budget that timing matters more than the headline rate, and we build it into the cash-flow from the start so nobody is surprised.
A certified (CPA) compliance audit is mandatory, and the $25M cap is per project. Keep the receipts, keep the vendors registered, and keep the paperwork current from day one — the moment a receipt goes missing is the moment the rebate shrinks. We build the claim from the first call sheet forward so nothing gets disallowed at the end.
Registration, the vendor and payroll trail, the audit coordination and the filing. You run the show; we run the compliance and liability that sit under it. That's the part that turns a line in the tax code into money that actually reaches your budget.

Logistics & Locations
One small country doubles for a dozen on screen. Panama gives you Caribbean and Pacific coasts an hour apart, jungle, a colonial old town, a modern skyline and the Canal — plus a crew base that's been servicing international productions since 1993.
Bocas del Toro on the Caribbean, the Boquete highlands, Pedasí on the Pacific, and Panama City — most of them reachable in a day. You can carry three looks in one schedule without a company move across a border. Caribbean to Pacific is a little over an hour by air, 82 km at the narrowest, which is why a single unit can chase very different backdrops in the same week.
Roughly 270 filming days a year. The dry season runs December to April with hard tropical light; the green season brings afternoon rain that clears fast and leaves the jungle at its richest. Because you have two coasts, you can usually shoot around a front rather than lose the day — when the Pacific side is grey, the Caribbean side often isn't. We plan schedules to the weather windows, not against them.
Bocas del Toro for turquoise water and stilt villages. Boquete for cloud forest and highland green. Pedasí and the Azuero for dry Pacific coast and open ranchland. Casco Viejo for colonial stone that reads as old Havana or Cartagena. The banking skyline for a modern capital, and the Canal for scale you can't fake. Each backdrop doubles for somewhere more expensive to reach — that's the whole pitch.
English-speaking department heads, Tocumen as a direct-flight hub for the Americas and Europe, a US-dollar economy, and no currency conversion to manage. The pieces a foreign production usually has to import — grip and electric, camera support, transport, fixers — are already on the ground. We staff local first and only bring in what genuinely can't be sourced here.
CBS's The Amazing Race, Discovery's Survive the Raft, MTV's The Challenge, Netflix, NBC's Today Show and four MrBeast productions have all shot here with the same ground team. The continuity is the point: the crew that scouts your location clears your permits and runs your days.
Full-service logistics. For over 30 years, the ground team behind the country's largest international and local productions.
Ricardo Barria
rbarria@veriteproducciones.net
+507 6612-7525
Calle W, Parque Lefevre
Panamá, República de Panamá
Selected work shown. Full references and reel available after first contact.
Data protection & compliance — the personal data you send here is processed under Panama's Law 81 of 2019 on the Protection of Personal Data (habeas data). We use it only to respond to your enquiry, keep it secured, and never sell or pass it on; you can ask us to access, correct or delete it at any time. On productions we handle crew and talent data — releases, IDs and cross-border transfers — to the same standard.